There are numerous artists with this name, including: (A) Canadian pop/rock band active from 1971-1973. (B) Nic Fanciulli and Andy Chatterley. (C) Irish traditional band active in the 1980s featuring Máirtín O'Connor. (D) A symphonic power metal band from Italy. (E) Karelian world music band from Petrozavodsk, Russia. (F) British rock band from north Devon. (G) Two American school teachers from Miami. (A) The most prominent and oldest Skylark was a Canadian pop/rock band active from 1971-1973 and based in the Pacific Northwest. Their biggest single, "Wildflower", was a 1972 number one hit in Canada, making Billboard's Top 10, and selling over a million copies. It was written by guitarist Doug Edwards and Dave Richardson, who was a Victoria police officer at the time. "Wildflower" is an early example of the power ballad, featuring a strong, emotional lead vocal, a blend of electric guitar, strings and harp, distinctive "slow dance" percussion, and almost-gospel background vocals. It was featured on 70's era K-Tel compilations and has since been covered by Johnny Mathis, The New Birth, The O'Jays, Kenny Rogers, Aaron Neville, Gary Morris, Color Me Badd, Lisa Fischer, Hong Kong superstar Sandy Lam, and sampled by Tupac Shakur and Jamie Foxx. (B) Skylark is Nic Fanciulli and Andy Chatterley (C) Skylark was an Irish traditional band active in the 1980s comprising Andrew McNamara, Garry Ó Briain, Gerry O'Connor, Len Graham, and Máirtín O'Connor. (D) Skylark is a symphonic power metal band from Italy. Formed by keyboardist Eddy Antonini, the current line-up is: Kiara - Female Vocals Fabrizio "Pota" Romani - Guitar Roberto "Brodo" Potenti - Bass Eddy Antonini - Keyboard At the moment Skylark does not have a drummer. They have released a total of 8 albums, the latest one being Divine Gates Part III - The Last Gate. Skylark is an incredible story of a metal band which reached unexpected results, writing a page destined to remain unique in the history of music. Starting as a cult/underground band in 1994 and built on the power symphonic compositions written and arranged by Eddy Antonini and Roberto “Brodo” Potenti, Skylark has never had the chance to enter the major world distribution, meeting the skepticism of the most important media and record companies. In spite of this, the band year by year has conquered a growing number of fans, scored amazing and incredible goals such as the sellings result, around 140.000 copies sold , and a series of powerful concerts all around the world sharing the stage with bands such as Royal Hunt, Running Wild, Edguy, Virgin Steel, Nightwish and Dream Theater. No other underground band can show such a kind of achievements. The place where Skylark music reached the top is for sure the Far East, especially China, where in 2008 they performed the longest tour for a foreign band in the Chinese history, and Japan where the band had the chance to perform in three wonderful live tours between 2003 and 2005, getting two sold outs in Shinjuku Loft and Shibuya Cyclone, nice gigs in Club Quattro (Osaka and Tokyo) besides a show in the famous, crowdy and excited Club Chitta in Kawasaki. The record “Divine Gates part 3: The Last Gate” allowed the band to get its first deal in the US (first Italian power metal band printed there) and, above all, to reach the 3rd position in the HMV Rock and Pop Japanese Charts, 7th Overall, selling more than 25.000 copies worldwide despite the dramatic downtrend of the music industry. In May 2009 the band will publish its first DVD “Divine Gates part 4: The Live Gate”, featuring the live show faithfully recorded and filmed in Phoenix- Arizona on May 2008. (E) Karelian world music band from Petrozavodsk, Russia. They play traditional tunes, both from their native region and from other countries, including Sweden and Greece. Their line-up is entirely acoustic and reflects the Karelian music tradition, e.g. it includes instruments such as "kantele", the Finno-Ugrian zither. Skylark has frequently toured both in Russia and abroad, being one of the most renowned Russian world music artists. They typically play at smaller venues or at various folk and ethno festivals. Albums: Celtic Flame (2003)Reipas Tuuli (Racing The Wind) (2003)A Roving I Will Go (2005)Aurinko Vedellä (Sun On The Water) (2006) (F) British rock band from north Devon. (G) Two American school teachers from Miami. So far they are independent from any labels and are just writing and producing their own music. Their first album "I Shine Not Burn" contains a few covers, but the rest are original lyrics and music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

There are/have been at least four bands with the name 'Stories' (as opposed to 'The Stories'). 1) Stories are an Australian post-hardcore band hailing from Sydney, New South Wales. The band's line-up is comprised of siblings Morgan (vocals) and Nic (guitar) Dodson, bassist Luke Fuller, drummer Roscoe Frazier and guitarist Sean Young. The band formed in 2010; while its members were still in high school. To date, they have released on EP, Void (2013), and one album, The Youth to Become (2015). 2) Stories was a short-lived art rock band based out of New York City in the early 1970s. The band consisted of keyboardist Michael Brown (ex-The Left Banke), bassist/vocalist Ian Lloyd, guitarist Steve Love, and drummer Bryan Madey, and had a fluke hit with a cover of Hot Chocolate's "Brother Louie" on their second album ABOUT US. Brown left the band by their third album.\ 3) Stories was a Hardcore band from South Shore, Massacusetts, from August 2007 to July 2008. Their EP "Away With The Past" came out around May, and were pretty well known around the South Shore part of Mass. Their reunion show is April 25th, 2009 in Northbridge. 4) stories is the brainchild of Scary Pockets from LA, California making stripped-down acoustic covers of well-known songs featuring a rotating cast of guest vocalists. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Frank Mills (born June 27, 1942), is a Canadian pianist and recording artist, best known for his solo instrumental hit "Music Box Dancer". Born in Quebec, Mills began his career as a member of The Bells, a group in which he was a member from 1970 to 1972. He performed piano for the band, whose best-known hit was "Stay Awhile" (1971). After leaving The Bells in 1972, Mills began a solo career. His first solo efforts hardly made a dent in the music charts, although his 1972 single "Love Me, Love Me, Love" reached as high as #46 on the Billboard charts and a cover of Ricky Nelson's "Poor Little Fool" was also successful in Canada (both songs featured Mills singing as well as playing piano). When Polydor Records heard one of his songs, "Music Box Dancer" and saw the potential of the song, Mills released it as a single and it became a smash, reaching #3 in the USA in the spring of 1979. It was Mills' only U.S. Top 40 hit; the follow-up, another similarly catchy piano instrumental titled "Peter Piper", peaked at #56. Mills won two Juno Awards in 1980 for "Peter Piper", one for Composer of the Year and one for Instrumental Artist of the Year. He again won in the latter category in 1981. He continued to release albums until the early 1990s, but has now retired from the music business. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

White Plains produced several hit songs, including 1970's "My Baby Loves Lovin'", and 1971's "When You Are A King" (number 13 on the UK Singles Chart) that was translated to Hebrew and sung by the israel singer Shlomo Artzi. The group, formed out of the late 1960s pop/psychedelic band The Flower Pot Men, kept changing their line-up during its relatively short existence. Tony Burrows, who sang on most of the group's charting hits, was the band's original lead singer. The group's top song "My Baby Loves Lovin'", was recorded on October 26, 1969, and was released January 9, 1970 on the Decca Records imprint Deram Records. The band's songs were mainly produced and written by Roger Greenaway and Roger Cook. Tony Burrows, vocals (left after the 1969 recordings) Pete Nelson, piano Robin Shaw, bass Ricky Wolff, guitars, keyboards, flute, saxophone (up to 1973) Ron Reynolds, organ (1973 onwards) Robin Box, lead guitar Roger Hills, drums Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Chic (sometimes fully capitalized as CHIC) is an American disco and funk band that was formed in 1976 by guitarist Nile Rodgers and bassist Bernard Edwards in New York City, USA. It is best-known for its commercially successful disco songs, including "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" (1977), "Everybody Dance" (1977), "Le Freak" (1978), "I Want Your Love" (1978), "Good Times" (1979), and "My Forbidden Lover" (1979). There can be little argument that Chic was disco's greatest band; and, working in a heavily producer-dominated field, they were most definitely a band. By the time Chic appeared in the late '70s, disco was already slipping into the excess that eventually caused its downfall. Chic bucked the trend by stripping disco's sound down to its basic elements; their funky, stylish grooves had an organic sense of interplay that was missing from many of their overproduced competitors. Chic's sound was anchored by the scratchy, James Brown-style rhythm guitar of Nile Rodgers and the indelible, widely imitated (sometimes outright stolen) bass lines of Bernard Edwards; as producers, they used keyboard and string embellishments economically, which kept the emphasis on rhythm. Chic's distinctive approach not only resulted in some of the finest dance singles of their time, but also helped create a template for urban funk, dance-pop, and even hip-hop in the post-disco era. Not coincidentally, Rodgers and Edwards wound up as two of the most successful producers of the '80s. Rodgers and Edwards first met in 1970, when both were jazz-trained musicians fresh out of high school. Edwards had attended New York's High School for the Performing Arts and was working in a Bronx post office at the time, while Rodgers' early career also included stints in the folk group New World Rising and the Apollo Theater house orchestra. Around 1972, Rodgers and Edwards formed a jazz-rock fusion group called the Big Apple Band. This outfit moonlighted as a backup band, touring behind smooth soul vocal group New York City in the wake of their 1973 hit "I'm Doin' Fine Now." After New York City broke up, the Big Apple Band hit the road with Carol Douglas for a few months, and Rodgers and Edwards decided to make a go of it on their own toward the end of 1976. At first they switched their aspirations from fusion to new wave, briefly performing as Allah & the Knife Wielding Punks, but quickly settled into dance music. They enlisted onetime LaBelle drummer Tony Thompson and female vocalists Norma Jean Wright and Alfa Anderson, and changed their name to Chic in summer 1977 so as to avoid confusion with Walter Murphy & the Big Apple Band (who'd just hit big with "A Fifth of Beethoven"). Augmented in the studio by keyboardists Raymond Jones and Rob Sabino, Chic recorded the demo single "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" and shopped it around to several major record companies, all of which declined it. The small Buddah label finally released it as a 12" in late 1977, and as its club popularity exploded, Atlantic stepped in, signed the group, and re-released the single on a wider basis. "Dance, Dance, Dance" hit the Top Ten, peaking at number six, and made Chic one of the hottest new groups in disco. Chic scrambled to put together their self-titled first album, which spawned a minor follow-up hit, "Everybody Dance," in early 1978. At this point, Wright left to try her hand at a solo career (with assistance from Rodgers and Edwards), and was replaced by Luci Martin. It was a good time to come onboard; "Le Freak," the first single from sophomore album C'est Chic, was an out-of-the-box smash, spending five weeks on top of the charts toward the end of 1978 and selling over four-million copies (which made it the biggest-selling single in Atlantic's history). Follow-up "I Want Your Love" reached number seven, cementing the group's new star status, and C'est Chic became one of the rare disco albums to go platinum. 1979's Risqué was another solidly constructed LP that also went platinum, partly on the strength of Chic's second number one pop hit, "Good Times." "Good Times" may not have equaled the blockbuster sales figures of "Le Freak," but it was the band's most imitated track: Queen's number one hit "Another One Bites the Dust" was a clear rewrite, and the Sugarhill Gang lifted the instrumental backing track wholesale for the first commercial rap single, "Rapper's Delight," marking the first of many times that Chic grooves would be recycled into hip-hop records. Also in 1979, Rodgers and Edwards took on their first major outside production assignment, producing and writing the Sister Sledge smashes "We Are Family" and the oft-sampled "He's the Greatest Dancer." This success, in turn, landed them the chance to work with pop / R&B superstar Diana Ross on 1980's blockbuster opus, diana , and they wrote and produced "Upside Down," her first number one hit in four years, as well as another top-ten smash, "I'm Coming Out." If you listen closely to Chic's early productions, the strings play a prominent role, especially on the beautiful ballads from the recordings for the band and Sister Sledge. It is also very significant to note the strong background vocalists on those recordings -- many of New York's finest session singers -- among them, one who would soon become a superstar Grammy winner in his own right, Mr. Luther Vandross, who also was a featured vocalist with the studio disco group, Change. The disco fad was fading rapidly by that point, however, and 1980's Real People failed to go gold despite another solid performance by the band. Changing tastes put an end to Chic's heyday, as Rodgers and Edwards' outside production work soon grew far more lucrative, even despite aborted projects with Aretha Franklin and Johnny Mathis. Several more Chic LPs followed in the early '80s, with diminishing creative and commercial returns, and Rodgers and Edwards disbanded the group after completing the lackluster Believer in 1983. Later that year, both recorded solo LPs that sank without a trace. Hungry for acceptance and respect in the rock mainstream (especially after accusations that they had ripped off Queen instead of the other way around), both Rodgers and Edwards sought out high-profile production and session work over the rest of the decade. Rodgers produced blockbuster albums like David Bowie's Let's Dance, Madonna's Like a Virgin, and Mick Jagger's She's the Boss. Edwards wasn't as prolific as a producer, but did join the one-off supergroup The Power Station along with Tony Thompson as well as Robert Palmer and members of avowed Chic fans Duran Duran; he later produced Palmer's commercial breakthrough, Riptide. Edwards also worked with Rod Stewart (Out of Order), Jody Watley, and Tina Turner, while Rodgers' other credits include the Thompson Twins, the Vaughan Brothers, INXS, and The B-52's' comeback Cosmic Thing. Rodgers and Edwards re-formed Chic in 1992 with new vocalists Sylver Logan Sharp and Jenn Thomas, and an assortment of session drummers in Thompson's place; they toured and released a new album, Chic-ism. In 1996, the reconstituted Chic embarked on a tour of Japan; sadly, on April 18, Edwards passed away in his Tokyo hotel room due to a severe bout of pneumonia. Rodgers continued to tour occasionally with a version of Chic, and, in 1999, his Sumthing Else label issued a recording of Edwards' final performance with the band, Live at the Budokan. CHIC has been nominated for inclusion in the Rock and Roll Hall of Fame nine times: 2003, 2006, 2007, 2008, 2009, 2011, 2013 and 2014. Rodgers and Chic continue to perform to major audiences worldwide as CHIC ft. Nile Rodgers. In October 2010, Rodgers began his fight with prostate cancer. In October 2011, he released his autobiography entitled Le Freak: An Upside Down Story of Family, Disco, and Destiny. On July 29, 2013, Rodgers posted on Twitter that he was cancer free. In 2013, CHIC ft. Nile Rodgers headlined the West Holts Stage on Friday night at the Glastonbury Festival in the UK, and played a variety of tracks both from Chic and from Nile Rodgers' extensive list of songs he had worked on for other artists. A compilation album, Up All Night, credited to The Chic Organization and featuring their productions for various artists between 1977 and 1982, was released the following Monday, 1 July, and entered the UK Compilation Albums Chart at number 2 a week later. CHIC ft. Nile Rodgers played the iTunes Festival in London on September 14, 2013. CHIC ft. Nile Rodgers, opened The X Factor (UK TV series) live show on 2 November 2013 for Disco week. They performed a medley of hits including "Le Freak", "He's The Greatest Dancer" and "Good Times". Rodgers announced in 2013 that he was working on a new Chic album, based on recently rediscovered tapes of unreleased material from the early 1980s. He also stated that Daft Punk is interested in working on at least one song of the unreleased material with him. Rodgers co-wrote and performed on three songs off Daft Punk's 2013 Grammy Award winning Album of the Year Random Access Memories including the Grammy Record of the Year Get Lucky with the duo and Pharrell Williams. CHIC ft. Nile Rodgers headlined at the 2014 Essence Festival curated by Prince. Special guests performing with Chic during a segment of the show that highlighted Chic's songwriting and production work for other artists, were Kathy Sledge for Sister Sledge's "We Are Family", Janelle Monae for Sister Sledge's "He's The Greatest Dancer" and Prince for David Bowie's "Let's Dance". CHIC ft. Nile Rodgers headlined Bestival in the Isle of Wight, UK on September 7, 2014. Nile Rodgers played tribute to his guitar technician Terry Brauer at Bestival after learning of his death from cancer. While chatting with Billboard's Kerri Mason, Rodgers announced a new Chic album and shared a never-before-heard new solo track. The upcoming album is set to feature collaborations from the David Guetta and Avicii. Rodgers described how a lick he played to test a freshly-repaired guitar caught the ear of DJ Nicky Romero, ending as an important part of a "huge song" on the upcoming album. Rodgers assumed "It sounds like a pop record". A year later, it was announced that Nile Rodgers has signed a new record deal with Warner Bros. with a release of a new Chic album for the first time in in more than two decades this June. The album will be titled It's About Time. The lead single from the record, titled "I'll Be There", will come out March 20th. Beside this, Warner Bros. signed a deal with the label that Rodgers and music exec Michael Ostin formed, Land of the Good Groove. Rodgers decided to officially unveil the track “I’ll Be There” during the vernal equinox on March 20 to signify the rebirth of the Chic Organisation. The star received a box of lost Chic demos back in 2010, and “I’ll Be There” is one of those lost tapes finished for a new generation of Disco fans. In other news, Rodgers gave an update on his new solo material with a new track called "Do What You Wanna Do" and announced that a Chic-inspired musical is in the early stages of production. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Steely Dan is an American jazz rock band which formed in 1972. The band was formed by Donald Fagen (vocals, keyboards) and Walter Becker (guitar, bass), who met in 1967 while both attended Bard College in Annandale-on-Hudson, New York, and began a songwriting partnership shortly thereafter. Their music is characterized by dark, witty lyrical narratives, obscure lyrical allusions and complex, jazz-influenced instrumentation and chord sequences, overlying more ordinary popular song structures. Their fastidious standards in the studio and use of world-class sessions players has also been a hallmark of their work. For this, special credit should be given to their long-time producer Gary Katz and engineer Roger Nichols. The band was originally a six-piece consisting of Fagen, Becker, David Palmer (vocals), Jeff "Skunk" Baxter (guitar), Denny Dias (guitar) and Jim Hodder (drums), but by 1975, only Fagen and Becker remained. The band's history can be divided into three stages. In its original conception, the group was a relatively conventional rock band that toured from 1972 to 1974, releasing the singles-chart successes, 'Do It Again', 'Reelin' in the Years', 'My Old School' and 'Rikki Don't Lose That Number'. The group's name was derived from a series of dildos in the 1959 novel, 'Naked Lunch' by the avant-garde writer, William S. Burroughs; the phrase first used in the lyrics of an early, pre-Steely Dan Fagen/Becker song, Soul Ram. In its second stage (1975 - 1980) the group, now consisting solely of Fagen and Becker, became a purely studio-based act, their album releases showing a growing obsession with polished production values, and whose output became increasingly jazz-orientated, culminating in the highly successful 'Aja' (1977) and 'Gaucho' (1980). The two split in 1981 following a tumultuous recording process for the latter album, and personal problems for both members. In the Eighties, Fagen released his seminal debut album, 'The Nightfly', and took time away from the music industry, whilst Becker, after recovering from drug dependence, was in frequent work as a producer. The third stage came when Fagen and Becker reunited in 1993, followed by a world tour (their first touring dates in 20 years). In 2000, the Grammy-award-winning 'Two Against Nature' was released to critical and surprising commercial success. Its successor followed swiftly, 'Everything Must Go' being released in 2003. The two albums show a more relaxed attitude to production, less morbid lyrical themes and an upbeat jazz pop sound, but with the characteristic wit and musical complexity of their 20th century work remaining. Walter Becker passed away on September 3, 2017. This was followed by legal action between Becker's estate and Fagen over ownership of material. Fagen with additional bandmates continues to tour as Steely Dan. -- Steely Dan's homepage Wikipedia article Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Redbone was a Native American rock group that was most active in the 1970s. They reached the Top 5 on the U.S. Billboard Hot 100 chart in 1974 with the song, Come and Get Your Love. Formed in 1968 in Los Angeles, California, by the brothers Patrick Vasquez (bass and vocals) and Lolly Vasquez (guitar and vocals), the name Redbone itself is a joking reference to a Cajun term for a mixed-race person, the band's members being of mixed blood ancestry. The band referenced Cajun and New Orleans culture many times in their lyrics and performing style. Pat and Lolly had previously performed and recorded under the stage surname Vegas, in part to downplay the Latin American association of their birth surname, Vasquez. Redbone played primarily rock music with R&B, Cajun, Jazz, tribal, and Latin roots. Their first commercial success came with the single Maggie from their second album, Potlatch, in 1970, and two other hit singles followed - The Witch Queen of New Orleans (1971, #21 on the Billboard Hot 100) and "Come and Get Your Love" (1974, #5 on the Billboard Hot 100). "Come and Get Your Love", written by Lolly Vasquez stayed in the Billboard chart for 24 weeks, and was awarded a gold disc by the R.I.A.A. on 22 April 1974. Lolly Vasquez was one of the first guitarists to make extensive use of the distinctive Leslie rotating speaker effect in his electric guitar amplification set-up. Vegas played improvised, jazz-influenced guitar. Drummer Peter DePoe (born 1943, Neah Bay, Washington) is credited with pioneering the "King Kong" style of drumming, which features sharply accented polyrhythms involving the bass and snare drums and is similar to funk styles of drumming. The band referred to DePoe's "King Kong Beat" in their lyrics to the song "Prehistoric Rhythm" on their debut album. In 1973 Redbone released the politically oriented We Were All Wounded at Wounded Knee, recalling the massacre of Lakota Sioux Indians by the Seventh Cavalry in 1890. The song ends with the subtly altered sentence "We were all wounded 'by' Wounded Knee". The song reached the #1 chart position in Europe but did not chart in the U.S. where it was initially withheld from release and then banned by several radio stations. Original drummer Peter DePoe left to be replaced by Butch Rillera. Following this the band achieved much of their commercial success. Tony Bellamy (guitar, piano and vocals) was later forced to retire due to illness. The band's current remaining membership is led by Pat Vegas alone (Lolly left in 1995, Tony Bellamy sometime after that), Raven Hernandez (guitar, vocals and songwriter) joined Redbone in 1996 to replace Lolly Vegas after he suffered a stroke that left him unable to tour with the band. Although Redbone has had some limited activity in recent years, their songwriting and touring output is slight compared with that of the early 1970s. A proposed reunion tour in 2003 did not occur. Evidence suggests the existence of an "imposter band" illegally touring the United States and posing as Redbone under the name (or alias) "Denny Freeman". Freeman, who Pat Vegas confirmed to be unaffiliated with Redbone in an interview with the Montana Standard, most recently defrauded the county-fair board of the Butte Silver-Bow County Fair in Butte, Montana under pretenses of being a co-founding member of Redbone, yet he was never a band member. Prior to forming Redbone, Pat and Lolly Vegas released an album in the mid 1960s entitled Pat & Lolly Vegas At The Haunted House (Mercury MG 21059/SR 61059). Of the twelve songs on the album, six are originals by the Vegas brothers. Pat and Lolly Vegas also released several 7" singles from 1961 to the mid 1960s. One of them is titled "Robot Walk" / "Don't You Remember" (Apogee Records A-101). The first self titled album by Redbone was released as a double album in North America and as a single LP in Europe. Their third album, Message from A Drum, was released in Europe with another title (The Witch Queen of New Orleans) and a different cover than the one released in the U.S. and Canada. One of the 1970s drummers, George Spannos, released his own hit album Passion in the Dark in 1983 under the name Danny Spanos, having a Top 40 hit single with Hot Cherie. ---------------------------------------------------------------------- Deutsche Version: Bandgeschichte Die Initiatoren von Redbone waren die Brüder Lolly Vegas (bürgerlich Candido Albelando Vasquez, * 2. Oktober 1939 in Los Angeles, Kalifornien; † 4. März 2010 ebenda – Vocals, Gitarre) und Pat Vegas (bürgerlich Patrick Morales Vasquez, * 17. März 1941 (oder 1946) in Coalinga, Kalifornien – Vocals, Bass). Schon seit den frühen 1960er Jahren machten die beiden Brüder unter verschiedenen Band- und Projektnamen wie The Avantis oder The Sharks sowie ab 1964 unter ihrem Künstlernamen Vegas zusammen Plattenaufnahmen. So zum Beispiel 1966 die LP Pat & Lolly Vegas at the Haunted House, die neben selbstverfassten Titeln Coverversionen damals aktueller Hits von Wilson Pickett, James Brown oder den Rolling Stones enthält. Als Studiomusiker wirkten sie bei Aufnahmen von Elvis Presley und Sonny & Cher mit. Die beiden Brüder waren ebenfalls erfolgreiche Songschreiber. Der Titel Niki Hoeky (auch Niki Hokey geschrieben) wurde von mehreren bekannten Interpreten wie Bobbie Gentry, Aretha Franklin (Lady Soul, 1968) oder The Ventures (Swamp Rock, 1969) aufgenommen und war 1967 in der Version von P.J. Proby ein Top-40-Hit[5] in den US-Billboard-Charts. Ende 1968 stellten sie mit Tony Bellamy (bürgerlich Robert Anthony Bellamy, * 12. September 1941 (oder 1940) in Orange City, Kalifornien – Gitarre, Vocals) und Pete "Last Walking Bear" DePoe (* 1943 im Makah-Reservat in Neah Bay, Washington – Schlagzeug) schließlich eine Band zusammen. In ironischer Anspielung auf ihre ethnische Herkunft wählten sie den Bandnamen Redbone. Im frankophonen Kulturkreis der Cajuns (Cajun Country, Louisiana) ist „Rehbon" ein abfälliger Ausdruck für einen Menschen gemischt-ethnischer Herkunft. „Redbone" ist davon die US-amerikanisierte Form. Schlagzeuger DePoe, der das Trommeln bei Zeremonien und Powwows gelernt hatte, gehört als einziger "echter" Indianer bei Redbone zum Indianervolk der Cheyenne[6][7]. Die anderen Bandmitglieder haben teils latein-amerikanische Wurzeln und verwandtschaftliche Verbindung verschiedenen Grades zu den Yaqui und Shoshone[8] und bezeichnen sich als Stadtindianer. Beim CBS-Sublabel Epic Records unterzeichneten sie 1969 einen Schallplattenvertrag und ihr selbstbetiteltes Debüt-Doppelalbum erschien 1970 mit ausnahmslos selbstgeschriebenen Songs, darunter ihre eigene Version von Niki Hoeky sowie der auch als Single ausgekoppelte Titel Crazy Cajun Cakewalk Band. Auf dem Albumcover ist ein mit Federn beschmückter roter Knochen abgebildet. Am 26. August 1970 traten sie – in Europa noch weitgehend unbekannt – beim letzten und größten Isle of Wight Festival auf. Die Musik von Redbone ist eine unikate Mischung aus Rock, Rhythm 'n' Blues, Funk, Jazz, Cajun-Musik, lateinamerikanischen Rhythmen und Elementen indianischer Stammesfolklore. Ihre überwiegend selbstgeschriebenen Lieder sind oft sprachlich wie thematisch von der Cajun-Kultur geprägt, erzählen von Stammesriten, nordamerikanischer Indianergeschichte und sozialer Ungerechtigkeit. Ihr Bandimage betonten sie konsequent mit authentischer Indianerbekleidung und entsprechender Bühnenausstattung. Bereits Ende 1970 erschien die zweite LP Potlatch. Der Song Alcatraz behandelt die Besetzung der Insel Alcatraz durch indianische Aktivisten (Indians of All Tribes) seit dem 20. November 1969, die u.a. auch von der Rockband Creedence Clearwater Revival unterstützt wurde und am 11. Juni 1971 durch Räumung seitens der US-Regierung endete. Mit der ausgekoppelten Single Maggie erzielte die Gruppe Ende 1970/Anfang 1971 einen ersten Achtungserfolg in den amerikanischen Single-Hitparaden.[4] Anfang 1972 erreichte Maggie als Wiederveröffentlichung Platz 45 auch in der deutschen Hitliste.[2] Aus der dritten LP Message from a Drum (1971) stammt der Titel The Witch Queen of New Orleans, in dem die Voodoo-Priesterin Marie Laveau besungen wird. Der Song entwickelte sich Ende 1971 zum weltweiten Hitparadenerfolg und erreichte Platz 2 im Vereinigten Königreich[3], Platz 13 in Deutschland[2], und in den Billboard Hot 100 Rang 21[4]. Aus familiären Gründen spielte Pete DePoe auf dem vierten Album Already Here (1972) nur auf den fünf Titeln von Seite 1 Schlagzeug.[9] Auf Seite 2 sprang für ihn Arturo Perez ein, der für kurze Zeit auch bei Liveauftritten mitspielte.[10] Die Singleauskopplung Fais Do war in den Niederlanden ein kleiner Hitparadenerfolg. Der Non-Albumtrack We Were All Wounded at Wounded Knee (1973) thematisiert das Massaker bei Wounded Knee (South Dakota) im Jahre 1890 durch das 7. US-Kavallerieregiment an Angehörigen des Minneconjou-Indianerstammes (Lakota/Sioux). Die Single stand 5 Wochen lang auf Platz 1 in der Hitparade der Niederlanden[11] und in Deutschland kam er bis auf Rang 21[2]. In den USA wurde das Lied nicht veröffentlicht und von vielen Radiosendern boykottiert. Während den Aufnahmen zur fünften Studio-LP Wovoka 1973 verließ Schlagzeuger DePoe die Band endgültig und wurde durch Butch Rillera (* 8. November 1945) ersetzt. Der aus diesem Album ausgekoppelte, in lateinamerikanischem Tanzrhythmus eingespielte und etwas gefälligere Song Come and Get Your Love war 1974 mit Platz 5 die kommerziell erfolgreichste Single von Redbone in den USA und verkaufte sich über eine Million Mal.[4] Rillera hatte die Gruppe nach dem 1974er Album Beaded Dreams Through Turquise Eyes schon wieder verlassen und der Platz am Schlagzeug wurde fortan öfter neu besetzt. Hinzu kam Keyboarder und Perkussionist Aloisio Aguiar. Nach der 1977er LP Cycles wurde es jedoch zunehmend stiller um Redbone. 1995 verließ Lolly Vegas aus gesundheitlichen Gründen die Gruppe. Wenig später trennten sich auch die verbliebenen Ur-Mitglieder Pat Vegas und Tony Bellamy. Pat Vegas tourte später gelegentlich mit einer neu zusammengestellten Gruppe unter dem Namen Redbone, zu der ab 2003 Mark Guerrero gehörte. Alben Redbone - 1970 Potlatch - 1970 Message from a Drum - 1971 (auch als The Witch Queen of New Orleans veröffentlicht, 1972) Already Here - 1972 Wovoka - 1973 Beaded Dreams Through Turquise Eyes - 1974 Come and Get Your Redbone - 1975 The Best of Redbone - 1976 Cycles - 1977 Redbone Live - 1994 (Aufnahmen 1977) Great Songs (Come and Get Your Love) - 1995 Golden Classics - 1996 To the Bone - 1998 Redbone and Wet Willie: Take Two - 2002 The Essential Redbone - 2003 One World - 2005 Singles Crazy Cajun Cakewalk Band - 1970 Maggie - 1970, 1971 und 1972 Light as a Feather - 1971 The Witch Queen of New Orleans - 1971 Message from a Drum - 1972 Fais Do - 1972 When You Got Trouble - 1972 Niji Trance - 1972 Poison Ivy - 1973 We Were All Wounded at Wounded Knee - 1973 Wovoka - 1973 Come and Get Your Love - 1974 One More Time - 1974 Suzi Girl - 1975 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

First formed in the early ’50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music — over the course of nearly a half century of performing, the group’s distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music’s transformation from gritty R&B to Motown soul to blistering funk. and a Soundtrack of Beverly Hills Cop (1984) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.