Biography
At the height of his musical diversity, before all his brain cells began to implode and shout mean things at one another (“Classical is better than country! Take that, you infernal collection of cells!”) FILIP OSCAR was born from creative constraint, a severe case of playing far too many vintage computer games, and repeated exposure to the robot voice in Radiohead’s “Fitter Happier”.
It was a slow evolution. A bit like someone creeping up behind you a little more each day until, without warning, a third eye suddenly appeared in the back of your head. Handy, that.
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His lust for guitar strings, synthetic ivory keys and technological bleeps eventually caused most other interests to depart, drifting away on a mossy boat until they washed ashore on a pitifully small and largely unremarkable island.
What does any of this mean? A perfectly honest and logical question.
The long answer would involve an angry undressing accompanied by several excessively detailed charts. The shorter answer is considerably simpler: you would become a wiser and generally improved person by visiting FILIP OSCAR on Bandcamp, or by finding his music inside one of those impossibly large virtual musical libraries, such as Spotify and Apple Music.
You may also follow him on SoundCloud to hear the occasional preview, demo or work in progress.
It is a bit like receiving a sampler pack of tea containing lots of different flavours, except that some of the tea has plectrums in it.
Biography text from Last.fm, available under CC BY-SA.