Harold Honey

sounds of the fifties and sixties while maintaining his thoroughly

modern sensibilities by combining elements of Jimi Hendrix, The

Pixies, Tom Waits and even Johnny Cash in his music. However, his

sound is as incendiary and fresh as anything of its kind.

Strung together by producer and pianist Adam Marsland – drummer

and former collaborator of the Beach Boys – and using the insanely

talented rhythm section of Teresa Cowles and Perry Ostrin, Helltown

is as polished of an album as you’re likely to hear in its genre.

This title track and single itself is one that will propel Harold and his

music into the spotlight he deserves. It’s an evolution of the success

of his 2010 eponymous self-titled debut album, which garnered

several great reviews and helped to increase his growing fan base

across America.

As you keep listening,

you keep hearing the

different genres, including

some jazz, funk, and

soul. The vocals are

very deep, kind of dark

and mysterious, also

reminding me of Johnny

Cash. You could tell on

here some of the songs

are pretty deep lyrically,

getting you swept up in

with the music.

—Big Wheel Magazine

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