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Rosa Ensemble

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Biography

The Rosa Ensemble operates in between: in between composed and improvised, in between music and theatre, in between light and serious, in between acoustic and electronic, traditional and experimental, classical and popular.

Rosa is constantly on the move and produces music, theatre, performances, concerts and albums – often in cooperation with other artists. Their music is playful, exciting and theatrical, but also strange, unruly and elusive. The ensemble was founded in 1997, hailing from Utrecht, The Netherlands, with their first performance Diepe Wildernis, based on the famous book by Brazilian writer Guimaraes Rosa, after who gave the ensemble its name. In the course of the following ten years Rosa slowly drifted away from the idiom of contemporary music.

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Their sound changed, electronics were introduced, as well as guitar and bass guitar, and the performances became increasingly theatrical. Rosa flirted with modern dance music (Platotectonics, 2001), ambient music (Music for Supermarkets, 2003, and the CD The Blind Spot, 2006) and launched a very successful tour and CD with music of and inspired by Captain Beefheart (Selling Hoovers in Mojave, 2004-2005). In 2007 Rosa celebrated their ten-year anniversary with a new version of Diepe Wildernis (Diepe Wildernis, Aniversie. 2007).

Currently ‘Rosa Ensemble’ means several things: music theatre, such as the multimedia surround performance Anticantate (2009), integrating music, video and text. Concerts, exploring their experimental “pop” sound - a poetical mix of richly arranged compositions, swinging rhythms, warm, human electronics and strange lyrics. And lastly the annual Rosa sub Rosa project, inviting students to join in and work for and with the ensemble for a short period of time creating a performance.

A new album, No Ark Dead Eel, was released in February 2010 by Dying Giraffe Recordings. Whether one calls it arty pop music or popular art music, the Rosa Ensemble is the Rosa Ensemble: for those who like exciting music, eclectic seldom sounded so self-evident.

Daniel Cross - percussion

Annelies Vrieswijk - saxophones

Laurens de Boer - piano

Peter Jessen - bass, double bass

Jeroen Kimman - electric guitar

Esther Mugambi - vox

Stephanie Pan - vox

Compositions - Daniel Cross, Wilbert Bulsink, Jeroen Kimman, Floris van Bergeijk, Martijn Padding

Dramaturgy: Geert van Boxtel

Stage Sound - Thomas Koopmans

Disc Sound - Alex Geurink

Light & Magic - Luuk Vierhout

Management - Arjen Barel

PR: Melle Kromhout

Office - Edda Grol

Biography text from Last.fm, available under CC BY-SA.