SHOUTcast Widgets
Artist Library / Snooky & Moody

Snooky & Moody

365Last.fm listeners

Biography

Snooky and Moody

Snooky Pryor (September 15, 1921 – October 18, 2006) was an American Chicago blues harmonica player. He claimed to have pioneered the now-common method of playing amplified harmonica by cupping a small microphone in his hands along with the harmonica, although on his earliest records in the late 1940s and early '50s he did not utilize this method.

Read full biography ↓

Moody Jones (April 8, 1908 - March 23, 1988) was an American blues guitarist, bass player, and singer, who is significant for his role in the development of the post-war Chicago blues sound in the late 1940s.

Snooky and Moody's Boogie is said to have been the inspiration for Little Walter's 1952 hit "Juke".

James Edward Pryor was born in Lambert, Mississippi and developed a Delta blues style influenced by both Sonny Boy Williamson I and Sonny Boy Williamson II. He moved to Chicago around 1940.

While serving in the U.S. Army he would blow bugle calls through the powerful PA system, which led him to experiment with playing the harmonica that way. Upon discharge from the Army in 1945, he obtained his own amplifier, and began playing harmonica at the outdoor Maxwell Street market, becoming a regular in the Chicago blues scene.

Pryor recorded some of the first postwar Chicago blues records in 1948, including "Telephone Blues" and "Snooky & Moody's Boogie" with guitarist Moody Jones, and "Stockyard Blues" and "Keep What You Got" with singer/guitarist Floyd Jones. "Snooky & Moody's Boogie" is of considerable historical significance: Pryor claimed that harmonica ace Little Walter directly copied the signature riff of Pryor's song into the opening eight bars of his own blues harmonica instrumental, "Juke," an R&B hit in 1952. In 1967, Pryor moved south to Ullin, Illinois. He quit music for carpentry in the late 1960s but was persuaded to make a comeback. After he dropped out of sight, Pryor was later re-discovered and resumed periodic recording until his death in nearby Cape Girardeau, Missouri at the age of 85.

In January 1973 he appeared with the American Blues Legends tour which played throughout Europe, alongside Homesick James. Whilst on this tour they recorded an album in London, Homesick James & Snooky Pryor, on Jim Simpson's label Big Bear Records.

Some of his better known songs include "Judgement Day" (1956), and "Crazy 'Bout My Baby" from Snooky (1989), "How'd You Learn to Shake It Like That" from Tenth Anniversary Anthology (1989) and "Shake My Hand" (1999).

Moody Jones was born in Earle, Arkansas, United States, on 8 April 1908. Raised in the church, he developed an interest in music at an early age and learned to play guitar after his brother bought an old broken guitar for $3. When he was proficient enough he started playing for country dances, and by 1939 had arrived in Chicago. In Chicago he became one of a number of musicians, performing on Maxwell Street and in non-union venues, who played an important role in the development of the post-war Chicago blues sound, often performing with his first cousin, singer and guitar player Floyd Jones. By the late 1940s he was capable of playing any kind of music requested, and had learned to play piano, banjo and bass (including a home-made bass made out of a wash-tub, a broom-handle and a clothes line), in addition to guitar. He was regarded by his contemporaries as the best guitar player on the Chicago scene, and was warned by noted slide guitar player Muddy Waters not to "fool with that slide" when Jones sat in with Waters' band one night.

Jones is most significant, and best known, for his association with his cousin Floyd Jones and harmonica player Snooky Pryor, and for the singles he recorded with them in 1948 which were among the first recorded examples of the new style. The track "Snooky and Moody's Boogie" is said to have been the inspiration for Little Walter's 1952 hit "Juke". Jones made further recordings for the JOB label in the early 1950s, backing musicians such as Snooky Pryor and Johnny Shines. He sang three numbers on a 1952 session, but these were not released at the time, according to Jones because label owner Joe Brown thought his voice was "too rough". One of the songs, "Rough Treatment", was recorded and released by singer and guitarist Little Hudson (Hudson Shower) for the same label the following year.

After 1953 Jones stopped playing blues and joined a gospel group, and by 1955 he had become pastor of a Sanctified church.

Jones died in Chicago, on March 23, 1988.

Biography text from Last.fm, available under CC BY-SA.